Appalachian State University![]() © 2004 Appalachian State University. All Rights Reserved. |
Contact Information:Special CollectionsCarol G. Belk Library and Information Commons Appalachian State University Boone, North Carolina 28608 USA Phone: (828) 262-4041 Fax: (828) 262-2553 Email: spcoll@appstate.edu URL: http://www.library.appstate.edu/appcoll |
| Repository: | Appalachian State University W. L. Eury Appalachian Collection |
| Creator: | Vera Lachmann |
| Title: | Camp Catawba - Vera Lachmann Papers, 1924 - 2005, undated |
| Language of Material: | Material in English, German, and Greek |
| Location: | The Camp Catawba - Vera Lachmann Papers is housed within the manuscript collections of the W.L. Eury Appalachian Collection. Photographs are stored within a temperature controlled chamber and require additional time to acclimate to room temperature. Oversized materials, including the Artwork Series, are stored within the oversized cases. |
| Abstract: | The Camp Catawba - Vera Lachmann Papers contain papers generated by Vera Lachmann, her partner Tui St. George Tucker and Lachmann's Blowing Rock, North Carolina summer camp for boys, Camp Catawba. Lachmann, a German-born classics professor and poet, and Tucker, an avant garde musician, developed a camp filled with classical music and plays, drawing other Jewish German and New York intellectuals. |
| This collection is divided into five series: Camp Catawba Series (Organizational Subseries, Correspondence Subseries, Publicity Subseries, Catawba Assembly Subseries), Vera Lachmann Series (Personal Subseries, Correspondence Subseries, Newspaper Articles Subseries, Publication Subseries, Poetry Subseries, Journals Subseries, Book Subseries, Sound Recordings Subseries, Medallion Subseries), Tui St. George Tucker Series (Personal Subseries, Correspondence Subseries, Newspaper Article Subseries, Music Subseries, Sound Recordings Subseries), Photograph Series, and Artwork Series. | |
| Extent: | 7 linear feet, 12 archival boxes |
An appointment for research is required. No Inter-Library Loan. Photographs are stored within a temperature controlled chamber and require additional time to acclimate to room temperature.
Copyright of materials are governed by applicable federal laws. Originals of Fritz Neugass' photographs are owned by SUNY-Albany.
[Identification of item], Collection 214. Camp Catawba - Vera Lachmann Papers, W. L. Eury Appalachian Collection, Appalachian State University, Boone, North Carolina, NC, USA.
Charles A. Miller donated the bulk of the collection to the W.L. Eury Appalachian Collection on 24 July 2003, 3 March 2004, 28 May 2004, and 26 October 2004. Robert Jurgrau donated materials entitled "Tui St. George Tucker Series" found at the home of the deceased Tui St. George Tucker on 25 May 2004. Doug Miller transferred Tui St. George Tucker programs, 2 records, and 2 books on 2 March 2005. In December 2005, Charles Miller donated images of Camp Catawba taken 7 June 2005 and advertisement of Vera Lachmann's CD set. On 30 December 2005, Charles Miller donated photographs, Vera Lachmann's poetry and translations, correspondence, Camp Catawba materials, and personal items. The accession number is 03-12. Camp Catawba Series and Vera Lachmann Series opened to be the public in August 2008.
Processed by Kathryn Staley, August 2008, Tui St. George Tucker Series is currently being processed
Encoded by Kathryn Staley, Holly Riddle, August 2008, Tui St. George Tucker Series is currently being processed
Transcriptions by J. McTaggart, August 2008
Vera Regina Lachmann (1904-1985) was a Jewish German educator and poet who immigrated to the United States in 1939. Her parents, Louis and Carolina Rosenbach Lachmann, were wealthy, assimilated Berlin Jews. Mr. Lachmann, a well-known Berlin architect, designed the Comic Opera building and the Tietz department store. Carolina Lachmann was a Warburg descendant, one of the most prominent Jewish families in Germany. Her father died in 1909 and her brother died in 1914. In the turmoil after World War I, the Lachmann family took in Magdalena Friedlander, who later married Hitler's Minister of Propoganda, Joseph Goebbels. Prior to her university studies, Vera studied under Helene Hermann at Dr. Sigmund Auerbach's school. She was a participant in the 1920s German youth movement. She studied classics and German languages at the Universities of Berlin and Basel, Switzerland. Her 1930 dissertation was on "The Origins of the Harthar Saga," an Icelandic saga. From 1933 to 1938, she directed a Jagowstrasse School, a progressive private school in Berlin-Grunewald for Jewish and other non-Aryan children. She also worked in the children's emigration department of the Reichsvertretung der deutschen Juden (the representative body of German Jews). Her sister Nina and her family fled Germany to London in the summer of 1939. Vera resisted leaving Germany but her friends Erika Weigand and Renata von Scheliha convinced her to leave. She left in November, 1939. Lachmann met her life partner, musician Tui St. George Tucker, in the mid-1940s through Erika Weigand, who committed suicide in 1946. Lachmann became a naturalized American citizen in 1946.
In 1943, Lachmann opened Camp Rena to eight boys, whose parents fled Nazi Germany. Rena is a shortened form of renata, Latin for "rebirth." After locating land for a boys' summer camp near Blowing Rock, North Carolina, Lachmann operated Camp Catawba for Boys in Blowing Rock, North Carolina from 1944 to 1970. This property had previously been the site of Camp Cherokee, operated by E.T. Hodgkin. Over four hundred campers came to Camp Catawba. It was an annual eight week overnight camp for boys from 6 to 12 years old. Camp Catawba consisted of twenty acres and three buildings (the Mainhouse, the Citadel, and the Cottage) and emphasized art through music and drama. The Cottage contained the Arts and Crafts Room and the camp office.
Camp Catawba was named after the American Indian tribe. It was accredited by the American Camping Association. Early campers and staffers were German immigrants. Lachmann told campers Greek myths, directed them in theater productions, and through Tui St. George Tucker's guidance, offered musical instruction. The campers also rode horses, swam, and hiked. The polio epidemic, particularly in 1948 and 1953, impacted the camp. Neighbors Ira Bolick and his grandson Bill helped Camp Catawba. In 1956, Morris Miller acted as Lachmann's lawyer against Child Placement, an agency that matched potential campers to summer camps and had not paid Lachmann fees due her. In 1964, the camp integrated. The camp regularly dealt with non-payment and debt. The camp closed in 1970 due to Lachmann's age.
After immigration, Lachmann took multiple temporary positions including teaching soldiers German, short-term German positions at Vassar College, Salem College, Bryn Mawr, and Yale, and the part-time Greek lecturer and head of the German House of Bryn Mawr College from 1945 to 1946. In 1949, she joined the faculty of Brooklyn College as a Classics and comparative literature professor. Although she was a popular teacher, she did not receive full professorship until 1972. Lachmann authored three books of poetry, "Golden Dances the Light in the Glass" (1969), "Names Become Islands" (1975), and "Grass Diamonds" (1982). Lachmann always wrote in German and was inspired by nature, ancient Greece, Catawba, Tui St. George Tucker, and the Holocaust. She was close friends with Nelly Sachs, winner of the 1966 Nobel Prize for literature, and regularly corresponded with Sachs until her death in 1970. In 1963, Lachmann received the Distinguished Teaching Award from Brooklyn College. She stressed Hellenic Classics and was interested in Parnassian (German high art). Vera traveled to Greece in 1967, 1970, 1975, and 1976 and left journals of her experiences. She retired from Brooklyn College in 1974 and continued to teach as Adjunct Professor of Classics at Hunter College and at New York University. In 1983, Vera read her poems before the Berlin Academy of Arts, her first visit since she left Germany over forty years earlier. Lachmann was being treated for cancer by 1979. She and Tui remained together until Lachmann's death in 1985.
Lachmann's companion Tui St. George Tucker (1924-2004) was an established musician in her own right. She became renowned as a composer, conductor and virtuoso recorder player and described herself as "underground." Tucker was born in Fullerton, California and named after the tui bird of her mother's native New Zealand. She attended Occidental College of Los Angeles from 1941 to 1944. Her works frequently used extended ranges, quarter-tones, unusual trills, nature sounds and multiphonics and was referred to as "microtonal." She began working as the camp's music director in 1947. During the remainder of the year, she and Lachmann lived together in New York. In 1953, she played at the Carnegie Recital Hall with Josef Marx, Colin Sterne, Grete Sultan, and Werner Torkanowsky. At Lachmann's death in 1985, Tui inherited Camp Catawba and then returned to live permanently at Camp Catawba. There she lived composed music until her death. Locally, the Springhouse Farm Choir of Valle Crucis performed her music. She wrote arrangements for piano, recorder, orchestra, opera, chamber, choral, and solo. As per Lachmann's wishes, Tui sold the property to the Blue Ridge Parkway, retaining a life estate.
Charles A. Miller (born October 27, 1937 in Washington DC) is an author and Professor Emeritus of Politics and American Studies at Lake Forest College. He is the son of Morris and Sara Levy Miller. Morris was the Chief Judge of the Washington, D.C. Juvenile Court. His mother was a child psychologist and artist. He was a camper, camp counselor, head counselor (1962) friend, and alternate executor for both Lachmann and Tucker. He studied in Germany after college (1959-1960) and received a Ph.D. in 1968. He taught political science and American Studies at Clark College (Atlanta), Princeton University, and Lake Forest College (Illinois). His brothers Tom and John also attended Camp Catawba. Charles is married to Barbara Preston Brennan. Vera called him Chuckie, his mother Sis, and Morris Chickie.
The "Sonia" mentioned in the poems "Sonia, eingeschlafen" and "Sonia lernt sprechen" was the daughter of Ben and Dorothy Kohn Schwartzberg, who were both at Camp Catawba. During her trips to Greece, Lachmann told the natives that she was married and had a granddaughter named Sonia.
Spencer Holst (1926-2001) was a camp counselor in 1969-1970. An author and poet, he befriended Lachmann and Tucker and worked with them on readings. His reading venues included Westbeth, Max's Kansas City, Judson Memorial Church, and the Village Vanguard. He received the Hilda and Richard Rosenthal Foundation Award from the American Academy and Institute of Arts and Letters in 1977. He wrote "The Language of Cats and Other Stories" and among other stories. Painter Beatte "Bea" Wheeler was his wife.
| 1904 | Vera Lachmann born to Louis and Carolina Rosenbach Lachmann in Berlin, Germany |
| 1924 | Tui St. George Tucker born in Fullerton, California |
| 1943 | Vera Lachmann opens Camp Rena |
| 1944 | Vera Lachmann opens Camp Catawba |
| 1947 | Tui St. George Tucker joins the staff of Camp Catawba |
| 1949 | Vera Lachmann joined the faculty of Brooklyn College as a Classics and comparative literature professor |
| 1962 | Charles A. Miller was Head Counselor |
| 1963 | Vera Lachmann received the Distinguished Teaching Award from Brooklyn College |
| 1964 | Camp Catawba Integrated; Richard Kranjec was Head Counselor; boundary dispute |
| 1966 | Jerry Senturia was Head Counselor |
| 1967 | Paul Esterowitz was Head Counselor; Esterowitz replaced by Yair Strauss |
| 1967 | Vera Lachmann traveled to Greece |
| 1970 | Vera Lachmann traveled to Greece |
| 1970 | Camp Catawba closes |
| 1975 | Vera Lachmann traveled to Greece |
| 1976 | Vera Lachmann traveled to Greece |
| 1985 | Vera Lachmann dies of cancer. |
| 2004 | Tui St. George Tucker dies. |
The Camp Catawba-Vera Lachmann Papers provides a detailed information about the Blowing Rock, North Carolina boys summer camp and the two women who ran it. The bulk of this collection consists of photographs of 1960s era Camp Catawba and Tui St. George Tucker's musical compositions and recordings. However, the Camp Catawba materials and correspondence are rich with details of camp life from director Vera Lachmann's and former camper Charles Miller as well as examples of some camp materials and programs. Another significant aspect of this collection consists of Lachmann's poetry and Classics studies. Her holographic journals from her visits to Greece are particularly insightful into her research interests and considerations.
This collection is divided into five series: Camp Catawba Series (Organizational Subseries, Correspondence Subseries, Publicity Subseries, Catawba Assembly Subseries), Vera Lachmann Series (Personal Subseries, Correspondence Subseries, Newspaper Articles Subseries, Publication Subseries, Poetry Subseries, Journals Subseries, Book Subseries, Sound Recordings Subseries, Medallion Subseries), Tui St. George Tucker Series (Personal Subseries, Correspondence Subseries, Newspaper Article Subseries, Music Subseries, Sound Recordings Subseries), Photograph Series, and Artwork Series.
The Container List notes when the contents are in German or Greek without English translations. This document cannot sustain umlauts and the esset; therefore, the new German spelling which was adopted in 1996 is used when applicable.
| Blowing Rock, North Carolina |
| Camp Catawba |
| Cone, Bertha |
| Flat Top Manor (Blowing Rock, N.C.) |
| Jewish children |
| Jews - North Carolina - Watauga County |
| Lachmann, Vera |
| Lesbian couples - correspondence |
| Miller, Charles A. |
| Poetry |
| Summer camps (or Organized camps) - Blowing Rock, North Carolina |
| Tucker, Tui St. George |
| Collection 214. Camp Catawba - Vera Lachmann Papers. Tui St. George Tucker Series. (1924-2004, undated) | |||||||||
| The Tui St. George Tucker Series contains materials related to the personal and professional life of Camp Catawba music director Tui St. George Tucker. Most materials relate to her music compositions and performances. It consists of a collection of newspaper articles, reviews, programs, programs of performances of her compositions, newspapers, a few of Tucker's notes about her musical creations, scores, correspondence. Some programs originate from other musicians' performances of her compositions. For insight into Tucker's life at Camp Catawba, see the Camp Catawba Series. Additional biographical information on Tucker is available at this website maintained by Robert Jurgrau: http://TuiStGeorgeTucker.com. Jurgrau, a student of Tucker's and executor of her estate, donated the materials that comprise the Tui St. George Tucker Series. | |||||||||
| Personal Subseries. (1956-2004, undated) | |||||||||
| Personal Subseries contains documents that Tucker used herself such as audio cassette recorder manuals, correspondence, her resume, and her writings. Manuals are for commercial recordings such as Ampex 601 portable recorder Model 620, Illuminated Remote Control Unit Model 1705 for Revox A77, and Beyer Dynamic microphone and headphones. Handwritten notes describe the operation of the Ampex 600 recorder and on the reverse side lists eleven tapes and their contents. | |||||||||
| Letters include a brief note from composer John Cage, a solication from Stephen Peters of arts journal The Aerial, and a descriptive letter from Bill Wilson of Springhouse Farm, who had attended one of Tucker's parties. Tucker wrote to John (presumably John Cage) about adapting a moon phase calendar to describe microtonal notations. Two letters, including one from Nina Lachmann Frankfurther, give condolence on Vera Lachmann's death. | |||||||||
| Tucker's writings are about music and include one poem, "Catawba Early Fall 1977." It is dedicated to Vera Lachmann. This poem was originally in the possession of Nina Lachmann Frankfurther. There is also brief description of the development of microtonal writing. Tucker's resume includes her public performances. | |||||||||
| Miscellaneous materials include a photocopy of the microtonal tuning system, a list of mailing addresses, materials about the musical career of Tucker's student and executor Robert Jurgrau, newspaper articles about her students, and a photocopy of the 1987 Moon Phase Calendar. Tucker wrote to John Cage about using this moon phase calendar as a model for chart about microtonal notation. | |||||||||
| Box | Folder | ||||||||
| 5 | 8 | Audio Cassette Recorders, 1956-1962, undated. | |||||||
| Folder | |||||||||
| 5 | 8 | Correspondence, 1961-1993, undated. | |||||||
| Box | Folder | ||||||||
| 6 | 1 | Resume. | |||||||
| Folder | |||||||||
| 6 | 1 | Tucker's Writings. | |||||||
| Folder | |||||||||
| 6 | 1 | Miscellaneous. | |||||||
| Lazybird promotional flier. | |||||||||
| Folder | |||||||||
| 6 | 2 | Miscellaneous. | |||||||
| B. McLaren's "Those Difficult Teens (and Other Microtonal Scales)" (circa 1992) and a program from Tui St. Geroge Tucker's 2004 memorial service. | |||||||||
| Music Subseries. (1924-1996, undated) | |||||||||
| Music Subseries contains programs, publications and reviews of Tucker's compositions. Many items are undated. | |||||||||
| Tucker's compositions are primarily duplicates of her original compositions and are not complete. Tucker wrote many songs to compliment Lachmann's poetry while Camp Catawba inspired others. Microtonal notations are defined in Tucker's Writings in the Personal Subseries and the microtonal fingering on the recorder is found the the New Wilderness Audiographics' "There Are Different Kinds of Writing, Part II." | |||||||||
| Programs consist of Tucker's personal performances and those of other musicians. Tucker participated in many regularly occurring musical venues, such as the The American Festival of Microtonal Music, Town Hall of New York University. Musicians, such as pianists Grete Sultan and Ralph Zeitlin, performed her compositions and their programs are included. The Springhouse Farm Choir of Valle Crucis also regularly performed her music. Programs from her students Paul Jordan and Stephen Mayer, a quartertone pianist who spent many summers at Camp Catawba, illustrates Tucker's musical influence as a mentor. A number of materials originate from the New Wilderness Foundation, EAR Magazine, and the Center for New Music. The post-mortum programs for Tucker's memorial service and the performance of "Requiem" are also included. She began composing "Requiem" during the 1950s after the death of her mother, for whom it is dedicated. Also see Camp Catawba Series for programs of Catawba Choir Boys. | |||||||||
| Publications document Tucker's musical career from 1961 to her death. Included are primarily reviews of her performances and of her students. Many booklets from WBAI show that Tucker's music was played on this Pacifica radio station out of New York City. These are housed in the Miscellaneous folder. Original organization of the newspaper articles and reviews, which is an approximate chronology, was maintained. | |||||||||
| Box | Folder | ||||||||
| 6 | 3 | Fliers, 1965-2000, undated. | |||||||
| Programs, 1952-1995, undated. | |||||||||
| 6 | 3 | Programs, 1952-1978. | |||||||
| 6 | 4 | Programs, 1978-1990. | |||||||
| 6 | 5 | Programs, 1990-2004. | |||||||
| 6 | 5 | Programs, undated. | |||||||
| Publications. | |||||||||
| 6 | 6 | Books, 1924-1999, undated. | |||||||
| Bruckmann, Ferdinand. Ornithologische Suite. Moeck Verlag, 1969. | |||||||||
| Waschka, Rodney. North Carolina Composers: A Quick Guide from the North Carolina Composers Information Project. Borik Press: Raleigh, NC, c. 1999. | |||||||||
| Ein Altes Spielbuch, c. 1500. Edition Schott No. 2439. | |||||||||
| 6 | 7 | Ein Altes Spielbuch, c. 1500. Edition Schott No. 2440. | |||||||
| Roland, Romain. Mahatma Gandhi: The Man Who Became One with the Universal Being. New York and London: The Century Co., 1924. [Inscribed Erika Weigand] | |||||||||
| 6 | 8 | Newspaper articles, 1961-1997, undated. | |||||||
| Most newspaper articles and performance reviews arrived organized chronologically with a handwritten numeric schema on the upper right hand corner. Additional undated newspaper articles are also included. | |||||||||
| 6 | 9 | Miscellaneous, 1965-1983, undated. | |||||||
| Scores Subseries. 1940-1996, undated. | |||||||||
| Scores Subseries contains scores from Tui St. George Tucker's songs. Many are incomplete and in fragile condition. It appears the majority are duplicates of originals. View scores in PDF format at http://www.tuistgeorgetucker.com/scores.html. | |||||||||
| Box | Folder | ||||||||
| 6 | 10 | 8.5" x 11" Scores. | |||||||
| Chamber Music. | |||||||||
| Happy Birthday, Dear Krzysztof. (undated) | |||||||||
| Trio for Brass. (1940) | |||||||||
| 7 | 1 | Choral. | |||||||
| 7 | 2 | Ave Verum. | |||||||
| 7 | 3 | Ave Region CAE Lorum . (1995) | |||||||
| 7 | 4 | Ave Verum Corpus. (1988) | |||||||
| 7 | 5 | But Parting is Return . (1999) | |||||||
| 7 | 6 | A Ceremony of Psalms. | |||||||
| 7 | 7 | Crucifixus. (undated) | |||||||
| 7 | 8 | De Profondis. | |||||||
| 7 | 9 | Dies Irae. (undated) | |||||||
| 7 | 10 | Gloria from the Mass in popular Style. | |||||||
| 7 | 11 | Gloria. | |||||||
| 7 | 12 | He Never said a Mumblin Word. (1973) | |||||||
| 7 | 13 | In Paradisum. (undated) | |||||||
| 7 | 14 | Kyrie. (undated) | |||||||
| 7 | 15 | Laudate. (February 2002) | |||||||
| 7 | 16 | Sanctus. | |||||||
| 7 | 17 | Sanctus. | |||||||
| 7 | 18 | Sing Cuckoo. | |||||||
| 7 | 19 | Summer Alleluia. | |||||||
| 7 | 20 | Venite Exsultemus. (1991) | |||||||
| Organ Works. | |||||||||
| 7 | 21 | Ah, Holy Jesus, How Hast Thou Offended? | |||||||
| Piano Works. | |||||||||
| 7 | 22 | Agnus Del. | |||||||
| 7 | 23 | Ave Maria. | |||||||
| 7 | 24 | First Piano Sonata. | |||||||
| 7 | 25 | Moon and Pine Sonata. | |||||||
| 7 | 26 | On a Mountain Road at Summer's End. | |||||||
| 7 | 27 | Pine Mountain Toccata. | |||||||
| 7 | 28 | Pine Mountain Toccata. | |||||||
| 7 | 29 | Romanza. | |||||||
| 7 | 30 | Tantum Erao. | |||||||
| Quartertone Keyboard Works. | |||||||||
| 7 | 31 | My Melancholy Baby. | |||||||
| 7 | 32 | Prelude for Quartertone Piano. | |||||||
| Quartertone Lullabies. | |||||||||
| 7 | 33 | Midnight Microtone. (1983) | |||||||
| Recorder. | |||||||||
| 7 | 34 | Amorosoz . (1990) | |||||||
| 7 | 35 | Prelude and Blue. (1974) | |||||||
| 7 | 36 | Romanza. | |||||||
| 7 | 37 | Sonata for Solo Recorder. (1979) | |||||||
| 7 | 38 | The Bullfinch. | |||||||
| Songs. | |||||||||
| 7 | 39 | Catawba. (1985) | |||||||
| 7 | 40 | Catawba. (1985) | |||||||
| 7 | 41 | Dankender Pre. (undated) | |||||||
| 7 | 42 | Der in Delphi. (undated) | |||||||
| 7 | 43 | Der in Delphi. (undated) | |||||||
| 7 | 44 | Der Parthenon. | |||||||
| 7 | 45 | Dankender Preis. | |||||||
| 7 | 46 | Dezember. (undated) | |||||||
| 7 | 47 | Father Abraham. | |||||||
| 7 | 48 | Halfte Des Lebens. (undated) | |||||||
| 7 | 49 | I am Often Misunderstood. | |||||||
| 7 | 50 | The Kings Ballad. | |||||||
| 7 | 51 | Lament. | |||||||
| 7 | 52 | Lament for Ira Bolick. | |||||||
| 7 | 53 | Libera Me. | |||||||
| 7 | 54 | Lux. | |||||||
| 7 | 55 | Many People Know. | |||||||
| 7 | 56 | Neujahr. (undated) [words by Vera Lachmann] | |||||||
| 7 | 57 | Nun Danket. (undated) | |||||||
| 7 | 58 | Offertorio. | |||||||
| 7 | 59 | Der Parthenon. (undated) | |||||||
| 7 | 60 | People are Envious. (undated) | |||||||
| 7 | 61 | Pie Jesu. | |||||||
| 7 | 62 | Prothalamion. (undated) | |||||||
| 7 | 63 | Quartertone Carol. | |||||||
| 7 | 64 | Requiem for Chorus and Orchestra. (undated) | |||||||
| 7 | 65 | Sonata for Two Bassoons. (undated) | |||||||
| 8 | 1 | The Voice of the Lord. (1949) | |||||||
| String Quartet. | |||||||||
| 8 | 2 | Violin 1. | |||||||
| 8 | 3 | Violin 2. | |||||||
| 8 | 4 | Cello 1. | |||||||
| 8 | 5 | Viola. | |||||||
| _______. | |||||||||
| 8 | 6 | String Quartet in G. (undated) | |||||||
| Sketches and Unfinished Works. | |||||||||
| 8 | 7 | Sketches and Unfinished Works. | |||||||
| Violin. | |||||||||
| 8 | 8 | Sonata for Violin and Piano. | |||||||
| Box | Folder | ||||||||
| 9 | 1 | 11" x 14" Scores. | |||||||
| Chamber Music. | |||||||||
| 9 | 1 | Lift Up Your Heads for Oboe, Clarinet in Bb, Bassoon. (undated) [2 scores and 2 full parts] | |||||||
| Choral. | |||||||||
| 9 | 2 | Adoramus Te. (1985) [with drafts] | |||||||
| 9 | 3 | All Colors of Light for solo voice and chorus. (1990) [piano vocal score and sketches] | |||||||
| 9 | 4 | Ave Verum Corpus. (undated) [manuscript] | |||||||
| 9 | 5 | Christus Jesus Splendor Patris: Hymn for the Transfiguration of our Lord. (undated) | |||||||
| 9 | 6 | Dies Irae from Requiem. [score and sketch; words by Thomas of Celano] | |||||||
| 9 | 7 | Drum Taps (words by Walt Whitman): Cantata for men's voices and instrument. (undated) [incomplete: 2 scores for Delicate Cluster; 1 score for Hush'd Be the Camps Today; Includes Lo, Victress on the Peaks, Delicate Cluster, Adieu to a Soldier, and Spirit Whose Work Is Done, Look Down Fair Moon Reconciliation, Hush'd Be the Camps Today] | |||||||
| 9 | 8 | Laudate Dominum: a guitar doxology. (1968) | |||||||
| 9 | 9 | Mass of the One for voices and instruments. (undated) | |||||||
| 9 | 10 | De Profundis for voices and three instruments. (undated) [two copies | |||||||
| 9 | 11 | De Profundis for voices and three instruments. (undated) [contents originally in folder housed in Box 8, Folder 10] | |||||||
| 9 | 12 | De Profundis for voices and three instruments. (undated) | |||||||
| 9 | 13 | De Profundis for voices and three instruments. (undated) | |||||||
| 9 | 14 | Sanctus. (undated) | |||||||
| 9 | 15 | Sanctus. (undated) | |||||||
| 9 | 16 | Shma Yisrael for voices and 'cello, guitars, other instruments. (undated) [words from Deuteronomy 6:4, Mark 12:29] | |||||||
| 9 | 17 | Spiritus Domini. (undated) | |||||||
| 9 | 18 | Tantum Ergo for chorus. (undated) [words by St. Thomas Aquinas] | |||||||
| Organ Works. | |||||||||
| 9 | 19 | Herzliebster Jesu for organ. (undated) | |||||||
| 9 | 20 | O Haupt Voll Blut und Wunden: Eight Variations for organ. (possibly 1959) [two copies] | |||||||
| Piano Works. | |||||||||
| 9 | 21 | Ave Verum: Volume 3. (undated) [incomplete: Double Canon, As Time Goes By, [Agnus Dei missing], September Song, Fairest Lord Jesus, Fortissimo, [Jesus Joy of Man's Desiring missing], [Triple Canon missing], Marcato, Tranquillo, Ave Verum: Finale] | |||||||
| 9 | 22 | Passacaglia for White Sunday for Notes from the Blue Mountain for piano. (undated) [reverse image copy and duplicate of correct image] | |||||||
| 9 | 23 | Pine Mountain Toccata for piano. (undated) [photocopied photograph included] | |||||||
| Recorder. | |||||||||
| 10 | 1 | Amoroso for recorder solo. (undated) | |||||||
| 10 | 2 | Concertino: "The Canary" for small recorder or piccolo. (1988) | |||||||
| 10 | 3 | Ralph and Edward: Rondo for Recorder and Harpsichord. (undated) [score, recorder part, and sketches] | |||||||
| 10 | 4 | Romanza for solo recorder. (undated) | |||||||
| 10 | 5 | Second Sonata for Solo Recorders: "The Hypertonic. (undated) | |||||||
| 10 | 6 | Sonata for Solo Recorder: "The Bullfinch". (1970) [with typewritten performance notes] | |||||||
| Recorders. | |||||||||
| 10 | 7 | Fantasia from Trio for 3 Recorders. (undated) | |||||||
| 10 | 8 | Lament for the Bird for four recorders. (undated) | |||||||
| Sketches and Unfinished Works. | |||||||||
| Sketches consist of incomplete tunes. Many are untitled. | |||||||||
| 10 | 9 | Spirituals. (undated) [includes He Never Said a Mumblin' Word (1973), Nobody Knows, De Ol' Sheep Done Know, I Couldn't Hear, I Couldn't Hear Nobody Pray, Swing Low, Marching Song, God's Going to Trouble the Water, Done Found' my Los' Sheep, Gwine Up] | |||||||
| 10 | 10 | Star Spangled Banner. (undated) [folder of various sketches] | |||||||
| 10 | 11 | Sketchbook. (undated) | |||||||
| 10 | 12 | Sketchbook. (undated) | |||||||
| 10 | 13 | Sketchbook. (undated) | |||||||
| 10 | 14 | Various sketches. (undated) | |||||||
| 10 | 15 | Various sketches. (undated) | |||||||
| 10 | 16 | Various sketches. (undated) | |||||||
| 10 | 17 | Miscellaneous songs. (undated) | |||||||
| 10 | 18 | Various sketches. (undated) | |||||||
| 10 | 19 | Various sketches. (undated) | |||||||
| Songs. | |||||||||
| 10 | 20 | Five Songs for Countertenor for countertenor and piano (or other instruments). (undated) [Includes 1. No More, My Dear, 2. Under The Greenwood Tree, 3. Come, Sleep, 4. Stella, 5. With How Sad Steps, O Moon] | |||||||
| 10 | 21 | Neujahr for soprano and viola. (undated) [words by Vera Lachmann] | |||||||
| 10 | 22 | Dezember for tenor and viola. (undated) [words by Vera Lachmann; originally housed with Neujahr] | |||||||
| 11 | 10 | String Quartet. | |||||||
| 11 | 1 | String Quartet. (undated) | |||||||
| 11 | String Quartet. (undated) [loose, spiral bound, includes Head Full of Blood and Wounds and Sonata] | ||||||||
| 11 | String Quartet. (undated) [loose, spiral bound, includes Head Full of Blood and Wounds and Sonata] | ||||||||
| 11 | String Quartet. (undated) [loose, spiral bound, includes Head Full of Blood and Wounds and Sonata] | ||||||||
| 11 | String Quartet. (undated) [loose, spiral bound, includes Head Full of Blood and Wounds and Sonata] | ||||||||
| 11 | Second String Quartet: Chorale Prelude and Sonata. (undated) [Three scores] | ||||||||
| 11 | 2 | Third [labelled "Second"] String Quartet: "The End of Love". (undated) [Two scores and parts for violin I, violin II, viola, and 'cello] | |||||||
| 11 | Third [labelled "Second"] String Quartet: "The End of Love". (undated) [Loose, violin I] | ||||||||
| 11 | Third [labelled "Second"] String Quartet: "The End of Love". (undated) [Loose, violin II] | ||||||||
| 11 | Third [labelled "Second"] String Quartet: "The End of Love". (undated) [Loose, viola] | ||||||||
| 11 | Third [labelled "Second"] String Quartet: "The End of Love". (undated) [Loose, 'cello] | ||||||||
| Violin. | |||||||||
| 11 | 3 | First Sonata for Violin and Piano. (undated) [drafts for 1st, 2nd, and 4th movements] | |||||||
| 11 | 4 | Second Sonata for Violin and Piano: "The Lydian Sonata" . (1995) | |||||||
| 11 | 5 | Miscellaneous. [a variety of incomplete titles] | |||||||
| 11 | 6 | A Letter for the Catawbans. (1970) [written by Stephen Mayer, dedicated to Tui St. George Tucker] | |||||||
| Box | Folder | ||||||||
| 12 | 1 | Oversize Scores. | |||||||
| Choral. | |||||||||
| 12 | 1 | In Terra Pax: A Christmas Ceremony. (undated) | |||||||
| 12 | 2 | Five Jakugo for men's voices and recorders. (undated) [Five scores] | |||||||
| 12 | 3 | Laudate Dominum for four-part chorus, acoustic and electric guitars, 'cello and electric bass. (undated) | |||||||
| 12 | 4 | Requiem. (undated) [photocopies of manuscript] | |||||||
| Quartertone Keyboard Works. | |||||||||
| 12 | 5 | The Grand Sonata for Quartertone Piano. (undated) [sketch] | |||||||
| Quartertone Lullabies. | |||||||||
| 12 | 6 | Midnight Microtone for alto recorder, flute, and clarinet. (1983) [Two scores] | |||||||
| Recorder. | |||||||||
| 12 | 7 | Blue Mountain Canons. (undated) [various scores and parts; deteriorating glue] | |||||||
| Sketches and Unfinished Works. | |||||||||
| 12 | 8 | Agnus Dei. (undated) [sketch] | |||||||
| 12 | 9 | Kyrie. (undated) [sketch] | |||||||
| 12 | 10 | Libera. (undated) [sketch] | |||||||
| 12 | 11 | Kyrie. (undated) [sketch] | |||||||
| 12 | 11 | Offertorio. (undated) [sketch] | |||||||
| 12 | 11 | Santos. (undated) [sketch] | |||||||
| Sound Recordings Subseries. | |||||||||
| Sound Recordings Subseries contains reel-to-reel recordings, audio-cassettes, and LPs of Tui St. George Tucker's performances and musical work. | |||||||||
| The Sound Recordings are not available to the public. | |||||||||
| Collection 214. Camp Catawba - Vera Lachmann Papers. Photograph Series. (1955-2005, undated) | |||||||||
| Photograph Series contains photographs of Camp Catawba, its campers, Greece, and Greek art. Some photographs were originally interfiled within the other series while others were originated housed together. The vast majority are identified by date and individuals. Photographs are stored by type (color or black and white) within a temperature controlled chamber and requires additional time to acclimate to room temperature. Some images have been digitally scanned. Links to these images are included beside its box list description below. | |||||||||
| Black and white photographs taken by Jeremias Lewin in 1963 were used in the Catawba: A Twentieth Anniversary Album and A Catawba Assembly. Neither publication include captions with dates or names. Photographs show campers in recreation activities. The manuscript collection photographs contain cropping lines for the publication and book page numbers are included. Many are from camper Ron Blau. These are housed in a separate oversized photograph box. | |||||||||
| The Campers Photograph Album consists of twenty sheets from a three-ring photograph album. Each sheet contains one or two 2" x 2" black and white photographs with a description of the photograph and a number. Some photographs have been removed. These photographs are described by the number within the box list; however, some numbers repeat or are out of numerical order on the page. The last four sheets lack numbers and probably have different origins. | |||||||||
| Fritz Neugass (1899-1979) was the photographer of the matted materials. He fled from Germany in the late Germany and was friends with Lachmann. His manuscript collection available at SUNY-Albany http://library.albany.edu/divs/speccoll/findaids/ger007.htm. | |||||||||
| The 2005 color photographs illustrate the condition of the Camp Catawba buildings after Tui St. George Tucker's death. Photographs were taken by Mike Booher, 7 June 2005. These photographs show the buildings' exteriors and interiors, Camp Catawba's lawn, and the Citadel's piano. Pictured are Charles Miller and Blue Ridge Parkway employee Phillip Noblitt. Additional descriptions, prepared by Miller, are housed in Camp Catawba Series, Correspondence Subseries. | |||||||||
| Also included are a 1978 photograph of Lachmann with Mary Nell Hawk and Sharon Matlin at Camp Catawba and two 1996 photographs of Tucker with Blowing Rock poet Juanita Brown Tobin. These photographs are color ink jet prints of digital photographs. | |||||||||
| Black and white photographs. | |||||||||
| Separated black and white photographs. | |||||||||
| 1 | Vera Lachmann. Link to image. | ||||||||
| Greek Grave Relief of Girl with Doves from Metropolitan Museum of Art. | |||||||||
| Ancient Greek Vase with horse and man from Metropolitan Museum of Art. | |||||||||
| Ancient Greek Oil Jug with Women Making Cloth from Metropolitan Museum of Art. | |||||||||
| Ancient Greek statue of male nude. | |||||||||
| Vera Lachmann, probably at Camp Catawba in 1953. | |||||||||
| Campers photograph album, 1953-1957, undated. | |||||||||
| 2 | 0013: View of Flat Top Mountain from Camp Catawba. | ||||||||
| 0016: Dramatics, 1955. Pictured: Vera Lachmann, Eric Hirst, Jackie Salik. | |||||||||
| 0014: Exercises, 1955. Pictured: Steve Bloch, Richard Breuer, Nicky Georgion, Mickey Goodman, Steve Goodman, Larry Kleinberg, Pete Kurzweil, George Leibson, Ron Lenneberg, Danny Rothmuller. | |||||||||
| 0017: Scenes, The Bolicks' Farm. | |||||||||
| 0017: Campers, 1955. Pictured: Nicky Georgion, Steve Bloch. | |||||||||
| 0017: Campers, undated. Fred Fay, Nicky Elton. | |||||||||
| 0019: Campers, 1957. Pictured: Jan Krouwer. | |||||||||
| 0021: Campers, 1957. Pictured: Steve Wightman. | |||||||||
| 0021: Campers, 1957. Pictured: George Mintz. | |||||||||
| 0021: Campers, 1957. Pictured: David Cobert. | |||||||||
| 0022: Staff, 1957. Pictured: Mike Bloom. | |||||||||
| 0043: Campers horseback riding, 1953. Pictured: Steve Mayer, Miles Congress and instructor Russel Tate. | |||||||||
| 0045: Camper swimming, 1953. Pictured: Fred Fay. | |||||||||
| 0045: Campers, 1953. Pictured: Jim Siedel, Dan Wiener, Dan Prothmuller, Bob Wildau, Mike Lipskin, Jeff Pollock. | |||||||||
| 0046: Scenes, 1953. Ten in which Camp Helpers and Bob von Gotfeld slept. | |||||||||
| 0107: Campers, 1953. Exercises. | |||||||||
| 1200-24. Boys in field, 1958. | |||||||||
| 1200-31. Swimming, 1958. Pictured: Niels Schonbeck. | |||||||||
| 1202-23. Campers, 1958. Pictured: Dave Agronsky. | |||||||||
| 1202-8. Vine cutting, opening Catawba Nature Trail, 1958. Pictured: Vera Lachmann. | |||||||||
| Sign from the Horseshow with tent, 1953. | |||||||||
| Vera Lachmann and her friend Kate Rosenheim, undated. | |||||||||
| Boys exercising, 1955-1957. | |||||||||
| Boy with guitar, undated. | |||||||||
| Loose photographs. | |||||||||
| 3 | Rehersal for a play on front porch of Mainhouse, probably 1950s. | ||||||||
| Breakfast in Mainhouse, mid-1950s. Pictured: Vera Lachmann. | |||||||||
| Possibly at Adams' stables, 1950. Pictured: Vera Lachmann on horseback. | |||||||||
| Mainhouse, 1953 or 1954. | |||||||||
| Boys in tree, 1954. Pictured: Tom Oppenheimer, Ralph Doernberg, Ron Blau. | |||||||||
| Boys with bull's eye, 1954. Pictured: Mike Martin, an unidentified boy, Tom Oppenheimer. | |||||||||
| Boys playing basketball, probably 1954. Pictured: Howard Melamed, Ron Blau, Ron Lenneberg. | |||||||||
| Blowing Rock Horse Show, 1955. | |||||||||
| Hiking, probably 1955. | |||||||||
| Grandfather Mountain Swinging Bridge, probably 1955. | |||||||||
| Cabin behind the Citadel, built by staff, 1955 or 1956. Link to image. | |||||||||
| Boy playing tennis, 1956. Pictured: Peter Ernster. | |||||||||
| Boys at bull's eye, 1956. Pictured: Jerry Senturia, Leonard Kurzweil. | |||||||||
| Jim Seidel, Vera Lachmann, Elaine Marder, 1956. | |||||||||
| Boy at bull's eye, 1956. Pictured: Peter Ernster. | |||||||||
| Jim McEvoy, 1956. Link to image. | |||||||||
| Vera Lachmann at Camp Catawba, 1956. | |||||||||
| Vera Lachmann at Camp Catawba, 1956. | |||||||||
| Boys singing at a camp fire, 1956. | |||||||||
| Vera Lachmann telling a story to a group of boys, probably late 1950s. Link to image. | |||||||||
| Boys in tree, late 1950s. | |||||||||
| Bunk beds outside the dormitory, last day of camp 1957. Link to image. | |||||||||
| Boy jumping off bunk beds outside the dormitory, last day of camp 1957. | |||||||||
| Musical performance on Mainhouse porch, 1957. Pictured: Garry Goodrow, Mike Katz, Dorothy Kohn, Tui St. George Tucker. Link to image. | |||||||||
| Campers and Vera Lachmann at Grandfather Mountain, 1957. | |||||||||
| The Cottage, 1957. | |||||||||
| Boy playing recorder, 1957. Pictured: Joe Russo. Photographer: Fritz W. Neugass. | |||||||||
| Group playing recorders and singing, 1957. Pictured: Gary Goodrow, Elaine Marder, Dorothy Kohn, Sam Lipskin, Nick Elton. Photographer: Fritz W. Neugass. | |||||||||
| Tui St. George Tucker conducting musicans, 1957. Pictured: Tui St. George Tucker, Mike Bloom (viola), Garry Goodrow (clarinet). Link to image. | |||||||||
| Guest with guitar playing for Camp Catawba in Mainhouse, 1957. Photographer: Fritz W. Neugass. | |||||||||
| Boys singing, 1957. Pictured: Elaine Marden, George Mintz. Photographer: Fritze W. Neugass. | |||||||||
| Boys at Bolicks' house near pickup, 1958. | |||||||||
| Grandfather Mountain Swinging Bridge, 1958. | |||||||||
| Vera Lachmann at Blowing Rock Horse Show, probably 1958. | |||||||||
| Boy hiking, 1958. Pictured: George Mintz. | |||||||||
| Horseback riding on Cone Park bridle path, probably 1959-1962. Pictured: Vera Lachmann, Tui St. George Tucker. | |||||||||
| Mainhouse, approximately 1960. | |||||||||
| Boys at Sugar Hill hike on Cone Estate, probably 1960. | |||||||||
| Paul Kohn, 1962. | |||||||||
| Musicans, 1963. Pictured: Pete Bodenheimer, Hank Bortman, John Hochheimer, Paul Epstein, Vera Lachmann. Link to image. | |||||||||
| Boys on Sunday Morning at Camp Catawba, probably 1960. Link to image. | |||||||||
| Vera Lachmann, 1977. Photographer: David R. Halperin. | |||||||||
| Apple House at Cone Estate, undated. | |||||||||
| Mountain range, undated. | |||||||||
| Possibly Linville Falls, undated. | |||||||||
| Bull's eye, undated. (Two copies) | |||||||||
| Singers, undated. Pictured: Ron Blau, Elaine Marder, Tui St. George Tucker. | |||||||||
| Boys playing at Grandfather Mountain, undated. | |||||||||
| 1 | Jeremias Lewin Photographs. | ||||||||
| Boys playing badminton, undated. | |||||||||
| Boys lying on bunk beds, undated. (two copies) | |||||||||
| Boys playing with tetherball, undated. (two copies) | |||||||||
| Boys wrestling, undated. | |||||||||
| Boys hiking, undated. | |||||||||
| Audience, undated. (Two copies) | |||||||||
| Boy at bonfire, undated. | |||||||||
| Boys walking piggyback, undated. | |||||||||
| Boys playing, undated. | |||||||||
| Boys hiking in woods, undated. | |||||||||
| Boys singing, undated. | |||||||||
| Boys in tree, undated. | |||||||||
| Boys in play, undated. | |||||||||
| Boys loading up in a truck, undated. | |||||||||
| Horseback riding, undated. | |||||||||
| Boys at pick-up truck, undated. | |||||||||
| Boy playing tennis, undated. | |||||||||
| Camp counselor playing airplane with a camper, undated. | |||||||||
| Boys playing Capture the Flag, early 1960s. | |||||||||
| Vera Lachmann and campers on Grandfather Mountain, undated. | |||||||||
| Ladder to the Nose on Grandfather Mountains, 1961-1964. Pictured: Philip Unsell. | |||||||||
| Boys playing, undated. | |||||||||
| Boys at Grandfather Mountains, undated. | |||||||||
| Boys swimming in the "new pool," after 1962. | |||||||||
| Boys swimming, undated. | |||||||||
| Boys playing chess, undated. | |||||||||
| Close-up of boys playing chess, undated. (two copies) | |||||||||
| Boys in pick-up truck, 1955. | |||||||||
| Boys on Blowing Rock, undated. | |||||||||
| Claire Williams Slupen and Rick Messors, probably 1960. | |||||||||
| Boys singing, probably 1960s. | |||||||||
| 1 | Camp Assembly Photographs. | ||||||||
| Music for "The Tailor and the Mouse" and "The Miller of Tracade." (page 45) | |||||||||
| Boys aiming arrows, 1954-1955. (page 49) Link to image. | |||||||||
| Boys playing Capture the Flag, early 1960s. Photographer: Jeremias Lewin. (page 50) | |||||||||
| Boys playing chess, undated. Photographer: Jeremias Lewin. (page 51) | |||||||||
| Boys swimming in the original spring-fed pond, undated. (page 53) Link to image. | |||||||||
| Boys swimming in the "new pool," after 1962. Photographer: Jeremias Lewin. (page 58) | |||||||||
| Ron Lorman on horseback at Blowing Rock Horse Show, 1964-1968. (page 59) | |||||||||
| Campers on horseback at Bridle Trail on Cone Estate, undated. (page 60) Link to image. | |||||||||
| Blowing Rock Horse Show, 1955. (page 63) | |||||||||
| At Blowing Rock Horse Show, undated. (page 65) | |||||||||
| Boy in rain poncho, undated. (page 70) | |||||||||
| Trees, undated. (page 71) | |||||||||
| Hike on Parkway near Flat Top Mountain, undated. (page 81) | |||||||||
| Boys jumping off rocks on Sugar Hill, undated. (page 88) | |||||||||
| Possibly Glenburney Falls hike, probably 1956. (page 89) | |||||||||
| Hike along the Parkway around Flat Top Mountain, undated. (page 92) Link to image. | |||||||||
| Hiking in woods possibly at Linville Falls, undated. (page 93) | |||||||||
| Grandfather Mountains, undated. (page 94) | |||||||||
| Boys at lower elevation at Grandfather Mountain, undated. (page 96) | |||||||||
| Vera Lachmann and campers on Grandfather Mountain, undated. (page 97) Photographer: Jeremias Lewin. | |||||||||
| Ladder to the Nose on Grandfather Mountains, 1961-1964. Pictured: Philip Unsell. (page 98) Photographer: Jeremias Lewin. | |||||||||
| Grandfather Mountains, undated. (page 104) | |||||||||
| Group playing instruments and singing, undated. Pictured: Tui St. George Tucker. (page 106) Link to image. | |||||||||
| Boy with recorder, undatead. (page 107) | |||||||||
| Stephen C. Mayer writing musical notations at piano, undated. (page 109) | |||||||||
| Howard Melamed, Charles Miller, Ron Lenneberg under old apple tree on camp' ball field, 1954-1955. (page 124) | |||||||||
| Yaiv Strauss with other boy, probably 1968. (page 138) | |||||||||
| Boys in back of Robert Bradshaw's pick-up truck, mid-1950s. (page 151) | |||||||||
| Camp Catawba pick-up truck, 1961 or 1966. (page 153) Link to image. | |||||||||
| Cliff Gold, probably 1962. (page 159) | |||||||||
| Boy and dog, undated. (page 161) | |||||||||
| Vera Lachmann holding a cat, undated. (page 161) | |||||||||
| Richard Sargent's sketch of kitchen stove, 1965. (page 166) | |||||||||
| Vera Lachmann giving blessing, undated. (page 168) | |||||||||
| Sunday morning breakfast, 1955-1956. Pictured: Vera Lachmann. (page 171) | |||||||||
| Boys eating outside, 1957-1958. Pictured: Ron Lenneberg, Gary Goodrow. (page 172) | |||||||||
| Vera Lachmann telling story to a group of boys, probably late 1950s. (page 179) | |||||||||
| Vera Lachmann directing a play rehearsal, undated. (page 180) | |||||||||
| Seth Lichtensten reading The Winter's Tale, 1963. (page 181) | |||||||||
| Rehersal for Robin Hood, 1968. Pictured: Elston Bell, Mark Yanowitz, Mark Speck, Steve Bowers, Josh Saul, Lee Perlman, Sebastian Holst, Aaron Sanders, Adin Strass. (page 184) | |||||||||
| Camp Catawba concert and play invitation, 1959. (page 185) | |||||||||
| Sam Lipskin Bartos and Niels Schonbeck performing in Shakespeare's The Tempest, 1957. (page 188) | |||||||||
| Musicians practicing, undated. (page 189) | |||||||||
| Boys hanging out in front of the Citadel, 1968. (page 168) | |||||||||
| Boys on bunk beds, undated. (page 206) | |||||||||
| Boy rolling a sleeping bag, possibly early 1950s. (page 216) | |||||||||
| Boys at night with fireworks, possibly 1968. (page 221) | |||||||||
| Color Photographs. | |||||||||
| Folder | |||||||||
| 1 | 1 | Separated color photographs. | |||||||
| Greek ruins. | |||||||||
| Negative of above mentioned Greek ruins. | |||||||||
| Tree. [glued to 26 September 1979 letter from Vera Lachmann] | |||||||||
| Hagia Trini on the Greek island of Kea. [glued to 19 May 1970 letter from Vera Lachmann] | |||||||||
| Greek Island, April 1970. (XV, 16 Thasos on back) | |||||||||
| Folder | |||||||||
| 2 | 2 | Vera Lachmann at Camp Catawba with Mary Well Hawk and Sharon Matlin, Summer 1978. | |||||||
| Tui St. George Tucker and Juanita Tobin, Blowing Rock, North Carolina-based poet, December 1996. | |||||||||
| Photographs of Camp Catawba, April 2005. | |||||||||
| Tom Bodenheimer at the Citadel. | |||||||||
| Piano, first room of Citadel. | |||||||||
| View from the Saddle on Flattop toward Sugar Hill (Rich Mountain) and Grandfather Mountain. | |||||||||
| Photographs of Camp Catawba, 7 June 2005. | |||||||||
| 1. Mainhouse, "Rainy Day Room." Used as second dining room and room for rainy day activities. | |||||||||
| 2. Mainhouse, kitchen. | |||||||||
| 3. Mainhouse, kitchen. | |||||||||
| 4. Mainhouse, back bedroom. | |||||||||
| 5. Mainhouse, bathroom. | |||||||||
| 6. Mainhouse, back bedroom. | |||||||||
| 7. Citadel (boys dormitory), first floor front room. Pictured: Charles Miller. | |||||||||
| 8. Citadel (boys dormitory), first floor front room. Pictured: Charles Miller. | |||||||||
| 9. Citadel (boys dormitory), first floor front room. Pictured: Charles Miller beside one of the camp's pianos. | |||||||||
| 10. Citadel (boys dormitory), first floor front room. | |||||||||
| 11. Chair near the Citadel. | |||||||||
| 12. Citadel, exterior. | |||||||||
| 13. Citadel, exterior. | |||||||||
| 14. Citadel, exterior. | |||||||||
| 15. Citadel, exterior. | |||||||||
| 16. Mainhouse, exterior. | |||||||||
| 17. Mainhouse, exterior. | |||||||||
| 18. Mainhouse, exterior. | |||||||||
| 19. Mainhouse, front porch. Pictured: Charles Miller. | |||||||||
| 20. Mainhouse, front porch. Pictured: Charles Miller and Phillip T. Noblitt. | |||||||||
| 21. Mainhouse, front porch. Pictured: Charles Miller and Phillip T. Noblitt. | |||||||||
| 22. Mainhouse, front porch. | |||||||||
| 23. Mainhouse, front porch. | |||||||||
| 24. Mainhouse, front room. | |||||||||
| 25. Mainhouse, dining room. | |||||||||
| Folder | |||||||||
| 3 | 3 | Greece Visit photographs, April 1970. | |||||||
| Monument in Peru, taken by Nelly Sachs, undated. | |||||||||
| X, 2 Mugla: Greeks in front of a store front. | |||||||||
| X, 3 Marmaris, Turkey: farm with sea and mountains in background. | |||||||||
| X, 4 Marmaris, Turkey: farm with a rock fence and the sea and mountains in background. | |||||||||
| X, 5 Marmaris, Turkey: farm with a rock fence and the sea and mountains in background. | |||||||||
| X, 6 Marmaris, Turkey: town with mountains in background. | |||||||||
| X, 7 Marmaris, Turkey: town with sea in foreground and mountains in background. | |||||||||
| X, 8 Marmaris, Turkey: tree leaves. | |||||||||
| X, 9 Marmaris, Turkey: wooded area. | |||||||||
| X, 10 Marmaris, Turkey: wooded area. | |||||||||
| X, 11 Marmaris, Turkey: shoreline. | |||||||||
| X, 12 Marmaris, Turkey: shoreline. | |||||||||
| X, 13 Marmaris, Turkey: unidentified man beside a Ford automobile. | |||||||||
| X, 14 Marmaris, Turkey: shoreline. | |||||||||
| X, 15 Marmaris, Turkey: town with sea in foreground and mountains in background. | |||||||||
| X, 16 Marmaris, Turkey: shoreline. | |||||||||
| X, 17 Marmaris, Turkey: house with palm trees. | |||||||||
| X, 18 Marmaris, Turkey: streetview. | |||||||||
| X, 19 Marmaris, Turkey: streetview with men at a table. | |||||||||
| X, 20 Marmaris, Turkey: streetview of market. | |||||||||
| XI, Samos 2: unknown image. | |||||||||
| XI, Samos 5: partial statue of a male nude. | |||||||||
| XI, Samos 6: streetview with palmtree and building in background. | |||||||||
| XI, Samos 7: streetview with palmtrees, sea, mountain ridge, and buildings in background. | |||||||||
| XI, Samos 8: tree (possibly fig). | |||||||||
| XI, Samos 9: farm with chicken coop. | |||||||||
| XI, Samos 10: Kastro-Akropolis. | |||||||||
| XI, Samos 11: the coast. | |||||||||
| XI, Samos 12: woman at the well. | |||||||||
| 4 | XI, Samos 13: fisherman and nets on shore. | ||||||||
| XI, Samos 14: elderly women. | |||||||||
| XI, Samos 15: Pythagoreion, Harbor. | |||||||||
| XI, Samos 17: Heraion, Capital. | |||||||||
| XI, Samos 18: Heraion. | |||||||||
| XV, 1 Thasos: shoreline. | |||||||||
| XV, 2 Thasos: shoreline. | |||||||||
| XV, 3 Thasos: shoreline from ship. | |||||||||
| XV, 4 Thasos: sea with mountains. | |||||||||
| XV, 5 Thasos: sea with mountains. | |||||||||
| XV, 6 Thasos: sea with mountains. | |||||||||
| XV, 7 Thasos: mountain ridgeline. | |||||||||
| XV, 9 Thasos: sea with mountains. | |||||||||
| XV, 10 Thasos: sea with mountains. | |||||||||
| XV, 11 Thasos: sea with mountains. | |||||||||
| XV, 12 Thasos: sea with mountains. | |||||||||
| XV, 13 Thasos: sea with mountains. | |||||||||
| XV, 17 Thasos: sea with mountains. | |||||||||
| XV, 18 Thasos: view from Vera Lachmann's window. | |||||||||
| XV, 19 Thasos: houses with mountains in background. | |||||||||
| XV, 20 Thasos: view of Akropolis from Vera Lachmann's window. | |||||||||
| Collection 214. Camp Catawba - Vera Lachmann Papers. Artwork Series. (undated) | |||||||||
| The Artwork Series consists of artwork found at Camp Catawba at the time of Tucker's death. Former campers likely created the majority of these pieces, which are primarily figure studies, portraits, and landscapes. Some pieces are abstracts. Identified artists include Paul Kohn, Jackson Low, Warren Melamed, Yair Strauss. Most of the art cannot be attributed to anyone. A few posters for artists, such as a reading by Spencer Holst and Linda Schor, are included. Formats include pastels, watercolor, charcoal, and ink. Significant pieces are described below. These items are larger than 8" x 14" and are stored in the oversized folder map case. Many are fragile. | |||||||||
| Folder | |||||||||
| 1 | Artwork. | ||||||||
| Twelve paintings with poetry, unattributed. Link to image 1. Link to image 2. | |||||||||
| "A Vocabulary for Vera Regina Lachmann," Jackson Low print, 1974 | |||||||||
| Folder | |||||||||
| 2 | Artwork. | ||||||||
| "The Fire-Breathing Horse" by Yair Strauss | |||||||||
| Folder | |||||||||
| 3 | Artwork. | ||||||||
| Folder | |||||||||
| 4 | Artwork. | ||||||||
Album Cover for The Hungarian Revolution by Major General Bela Kiraly (1969).
Some materials, particularly scores which Tui St. George Tucker did not compose, were removed from the collection.
Jurgrau, Robert and Thelma. "Vera Lachmann." Kairos, 1, 4 (1985): 82-92. Note: This source is available within the Vera Lachmann Series, Personal Subseries (214B, Box 2, Folder 11).
Lachmann, Vera R. Homer's Sun Still Shines: Ancient Greece in Essays, Poems and Translations (edited with an introduction and notes by Charles A. Miller), New Market, VA: Trackaday, 2004.
Miller, Charles A. A Catawba Assembly, Trackaday: New Market, 1973.
Niers, Gert. Frauen schreiben im Exil. Zum Werk der nach Amerika emigrierten Lyrikerinnen Margarete Kollisch, Ilse Blumenthal-Weiss, Vera Lachmann, Frankfurt am Main: Verlag Peter Lang, 1988.
"Obituary for Vera Lachmann from Castrum Peregrini (1985): 146-149." Classical World, 85, 1 (Sept.-Oct. 1991): 24-27.
Guide to the Papers of Nelly Sachs (1891-1970), Leo Baeck Institute, Center for Jewish History, New York, NY.
Biographical information on Tui St. George Tucker as well as photographs and scores are available at this website maintained by Robert Jurgrau: http://TuiStGeorgeTucker.com.
Archives of "Morning Concert: The Music of Tui St. George Tucker," (February 9, 1989) .