|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| + |
A |
B |
C |
C4 |
C6 |
E |
F |
G |
G2 |
G3 |
H |
H2 |
H3 |
H4 |
H5 |
H6 |
H7 |
I |
| 2 |
2 |
3 |
0 |
- |
- |
0 |
2 |
3 |
4 |
5 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
0 |
| 2 |
0 |
2 |
0 |
- |
- |
0 |
2 |
3 |
4 |
5 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
2 |
| 0 |
0 |
0 |
2 |
4 |
6 |
2 |
1 |
2 |
3 |
4 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
2 |
| 0 |
3 |
1 |
3 |
5 |
7 |
3 |
0 |
1 |
2 |
3 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
2 |
| 0 |
3 |
0 |
2 |
4 |
6 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
0 |
|
K |
K2 |
K3 |
L |
M |
M2 |
M3 |
M5 |
M6 |
M3* |
M4* |
M5* |
O |
P |
P3 |
P4 |
P5 |
P7 |
&2 |
&4 |
|
1 |
2 |
3 |
3 |
1 |
2 |
3 |
5 |
6 |
3 |
4 |
5 |
1 |
3 |
5 |
6 |
7 |
9 |
5 |
7 |
|
3 |
4 |
5 |
1 |
1 |
2 |
3 |
5 |
6 |
3 |
4 |
5 |
0 |
3 |
5 |
6 |
7 |
9 |
4 |
6 |
|
3 |
4 |
5 |
0 |
3 |
4 |
5 |
7 |
8 |
5 |
6 |
7 |
0 |
1 |
3 |
4 |
5 |
7 |
2 |
4 |
|
2 |
3 |
4 |
4 |
4 |
5 |
6 |
8 |
9 |
6 |
7 |
8 |
3 |
1 |
3 |
4 |
5 |
7 |
3 |
3 |
|
1 |
2 |
3 |
3 |
3 |
4 |
5 |
7 |
8 |
4 |
5 |
6 |
3 |
1 |
3 |
4 |
5 |
7 |
2 |
4 |
Mixed tablature. Ornaments: .T. (tremolo) and # (vibrato).
Range (highest fret used on each course):
5th course 8th fret (9th in chords) 4th course 9th fret 3rd course 9th fret 2nd course 10th fret 1st course 10th fret
Title information in brackets [ ] is editorial; information in parentheses ( ) is from the table of contents.
Index of Pieces (all solo guitar):
| Title | Key | Meter | Page |
| Preludio (del 2.do tuono) | g |
¢ |
p. 6 |
| Alemanda (Alemana) | g |
¢ |
p. 7 |
| Alemana | g |
¢ |
p. 9 |
| Corr[ent]e (Corente) | g |
3/[4] |
p. 10 |
| (e) Sarab(and)a | g |
3/[4] |
p. 11 |
| Toccata (del 6.to tuono) | F |
¢ |
p. 12 |
| Giga | F |
¢ |
p. 13 |
| Corr(ent)e | F |
3/[4] |
p. 15 |
Preludio |
b |
¢ |
p. 16 |
| Alemana | b |
¢ |
p. 17 |
| Alemana | b |
¢ |
p. 19 |
| Corrente | b |
3/[4] |
p. 21 |
| Corr(ent)e | b |
3/[4] |
p. 22 |
| Sarab[and]a | b |
3/[4] |
p. 23 |
| Alemana (del 7.mo tuono) | c |
¢ |
p. 24 |
| Corr(ent)e | c |
3/[4] |
p. 25 |
| Sarabanda | c |
3/[4] |
p. 26 |
| Preludio (in B fa B mi) | Bb |
¢ |
p. 27 |
| Alemana | Bb |
¢ |
p. 29 |
| Correte | Bb |
3/[4] |
p. 31 |
| Sarab[and]a | Bb |
3/[4] |
p. 32 |
| Alemana | Bb |
¢ |
p. 33 |
| Corrente | Bb |
3/[4] |
p. 35 |
| Sarab(and)a | Bb |
3/[4] |
p. 36 |
Alemana |
f |
¢ |
p. 37 |
| Corrente | f |
3/[4] |
p. 39 |
| Sarab(and)a | f |
3/[4] |
p. 40 |
| Alemana | Eb |
¢ |
p. 41 |
| Corr(ent)e | Eb |
3/[4] |
p. 43 |
| Sarabanda | Eb |
3/[4] |
p. 44 |
| Toccata (per altra Acordatura) [A-C#-E-A-C#] |
A |
¢ |
p. 45 |
| Alemana [A-C#-E-A-C#] | A |
¢ |
p. 47 |
| Corrente [A-C#-E-A-C#] | A |
3/[4] |
p. 48 |
| Alemana [A-C#-E-A-C#] | A |
¢ |
p. 49 |
| Corrente [A-C#-E-A-C#] | A |
3/[4] |
p. 50 |
| Passacaglia (-i) [A-C#-E-A-C#] | A |
3/[4] |
p. 51 |
| Alemana [A-C#-E-A-C#] | A |
¢ |
p. 53 |
| Giga [A-C#-E-A-C#] | A |
¢ |
p. 54 |
| Sarab(and)a [A-C#-E-A-C#] | A |
3/[4] |
p. 55 |
| Passacaglia (per Acordatura differente) [A-D-F#-A-D] | D |
3/[4] |
p. 57 |
| Alemana [A-D-F#-A-D] | D |
¢ |
p. 59 |
| Corrente [A-D-F#-A-D] | D |
3/[4] |
p. 60 |
| Sarab(and)a [A-D-F#-A-D] | D |
3/[4] |
p. 61 |
| Preludio (per altra Acordatura) [A-C-E-A-C] | a |
¢ |
p. 62 |
| Passacaglio (-i) [A-C-E-A-C] | a |
3/[4] |
p. 63 |
| Alemana [A-C-E-A-C] | a |
¢ |
p. 65 |
| Corr(ent)e [A-C-E-A-C] | a |
3/[4] |
p. 67 |
| Corrente [A-C-E-A-C] | a |
3/[4] |
p. 68 |
| Sarab(and)a [A-C-E-A-C] | a |
3/[4] |
p. 69 |
| Toccata (per Acordatura differente) [A-C#-F#-B-E] | e |
¢ |
p. 70 |
| Alemana [A-C#-F#-B-E] | e |
¢ |
p. 71 |
| Alemana [A-C#-F#-B-E] | b |
¢ |
p. 73 |
| Corr(ent)e [A-C#-F#-B-E] | b |
3/[4] |
p. 75 |
| Sarab(and)a [A-C#-F#-B-E] | b |
3/[4] |
p. 76 |
Alemana (per altra Acordatura) [A-D-F-A-D] |
d |
¢ |
p. 77 |
| Corrente [A-D-F-A-D] | d |
3/[4] |
p. 79 |
| Corr(ent)e [A-D-F-A-D] | d |
3/[4] |
p. 80 |
| Sarabanda [A-D-F-A-D] | d |
3/[4] |
p. 81 |
| Alemanda (Alemana per Acordatura differente) [A-D-F-A-C] | F |
¢ |
p. 82 |
| Corr(ent)e [A-D-F-A-C] | F |
3/[4] |
p. 84 |
| Corr(ent)e [A-D-F-A-C] | F |
3/[4] |
p. 85 |
| Sarab(and)a [A-D-F-A-C] | F |
3/[4] |
p. 86 |
Index of Genres:
The following chart summarizes the solo guitar contents of the book by genre. Major genres are given by the form used in the New Grove Dictionary of Music and Musicians, 2d ed., with the forms actually used in the book in parentheses. Lesser known titles are grouped under "miscellaneous dances" and "songs." Rhythmic variations and rotte are considered part of the main work.
| Genres: | total |
major |
minor |
meter |
| Corrente (Corrente, Corente) | 19 |
9 |
10 |
3/[4] |
| Allemande (Alemanda, Alemana) | 18 |
8 |
10 |
¢ |
| Sarabande (Sarabanda) | 13 |
6 |
7 |
3/[4] |
| Prelude (Preludio) | 4 |
1 |
3 |
¢ |
| Passacaglia (Passacagli) | 3 |
2 |
1 |
3/[4] |
| Toccata | 3 |
2 |
1 |
¢ |
| Gigue (Giga) | 2 |
2 |
0 |
¢ |
| Totals: | 62 |
30 |
32 |
35 in 3/[4] and 27 in ¢ |
Index of Keys Used:
Keys used in the book; an * indicates that the key is only used in a passacaglia. Note that the pitch is relative and that since the guitarist was using tablature, there was no need to think in terms of traditional key signatures.
| A major | 9 | A minor | 6 | |
| B flat major | 7 | B flat minor | 0 | |
| B major | 0 | B minor | 9 | |
| C major | 0 | C minor | 3 | |
| C sharp major | 0 | C sharp minor | 0 | |
| D major | 4 | D minor | 4 | |
| E flat major | 3 | E flat minor | 0 | |
| E major | 0 | E minor | 2 | |
| F major | 7 | F minor | 3 | |
| F sharp major | 0 | F sharp minor | 0 | |
| G major | 0 | G minor | 5 | |
| A flat major | 0 | A flat minor | 0 |
Index of Names:
BOTTAZZARI, Giovanni (Giovani) [composer]
SONATE NUOVE PER LA CHITTARRA SPAGNOLA DI D. GIOVANNI BOTTAZZARI MANTOVANO.
DEDICATE ALL'ILLUSTRISSIMO SIGNOR GASPARO GHERARDINI DE MARCHESI DI CASTELNOVO,
E DI S. POLO. / f. 1r
[dedication signed:] Di Venetia li 18 Ottobre 1663 . . . Giovani Bottazzari . . . / f. 2r
GHERARDINI, Gasparo [patron]
SONATE NUOVE PER LA CHITTARRA SPAGNOLA DI D. GIOVANNI BOTTAZZARI MANTOVANO.
DEDICATE ALL'ILLUSTRISSIMO SIGNOR GASPARO GHERARDINI DE MARCHESI DI CASTELNOVO,
E DI S. POLO. / f. 1r
[dedication to on f. 2r]
SCIUPINI, L[odovi]co [engraver]
L.co Sciupini fec. / f. 3r
L.co Sciupini fec. / f. 5r
I:Bc = Italy: Bologna, Civico Museo Bibliografico Musicale G. B. Martini (visited in 1991-1992)
Condition: Dark plate with some bleeding but very legible; very wide margins around plate; page edges rough but in good condition.
Binding: Grey cardboard with taped binding; tattered edges with some mildew stains.
Manuscript additions:
Cover -- top left, ink: "X 150"; ink: "Bottazzari
Giovanni / Sonate per la Chitarra Spagnuola / Venezia 1663" [FACS.
note on inside cover: FS.131]
f. 1r -- bottom, blue stamp: "BIBLIOTECA DEL LICEO MUSICALE DI BOLOGNA"
p. 86 -- bottom right, black stamp: "LICEO MUSICALE G.B. MARTINI BIBLIOTECA BOLOGNA"
Corrigenda:
[traces of erasures on plate itself (p. 23, st. 2, 1st note;
p. 35, st. 4, m. 6, bt. 2 etc.; but no evident ink corrigenda]