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| Foscarini
c1630 Foscarini c1632 Corbetta 1639 Trombetti 1639b Bartolotti 1640 Carbonchi 1640 Foscarini 1640 Foscarini c1640 Corbetta 1643 Calvi 1646 Granata 1646 Valdambrini 1646 Valdambrini 1647 Corbetta 1648 Pesori 1648 Pesori c1648 |
Granata
1650 Pellegrini 1650 Granata 1651 Playford 1652 Banfi 1653 Bartolotti 1655 Granata 1659 Pesori c1660a Pesori c1660b Bottazzari 1663 Coriandoli 1670 Carré 1671 Corbetta 1671 Asioli 1674 Corbetta 1674 Granata 1674 |
Sanz 1674 Pesori c1675 Asioli 1676 Ribayaz 1677 Grénerin 1680 Granata 1680 Matteis 1682 Granata 1684 Visée 1686 Kremberg 1689 Roncalli 1692 Derosier c1696 Nivers 1696 Sanz 1697 Derosier 1699 |
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Notation:The mixed style (called battute e pizzicate in Italian) appeared in print in the 1630s and combines strummed chords with individually plucked notes. Most of the printed tablatures use a combination of Italian lute tablature and the standard alfabeto letters:
The small vertical dashes on the first staff line indicate down strums
(below the line) or up strums (above the line). Full chords are indicated
by letters ("B" = a C major chord in open position; "D"
= the common A minor chord), while chords using less than five courses
are written out in tablature, as are individually plucked notes. |
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Last updated on 5 May 2004 © Gary R. Boye 2002, 2003, 2004 |
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