Sixteenth-Century Vihuela TablaturesPrinted Spanish sources for the vihuela are relatively rare compared to Italian, French, and German sources, comprising only about 3% of the total output of known books. All of the sources use Italian tablature (although Luis Milán uses an inverse version sometimes referred to as Neapolitan tablature). Bermudo 1555 is a theoretical treatise with little actual vihuela music, the other 7 tablatures are the bulk of the repertory. Intabulations were less favored than songs for voice and vihuela; dances are extremely rare. None of the books utilizes reprinted material. Each book is listed as to type of tablature (TAB), either Italian (IT), French (FR), or German (GER), and the contents are divided into four genre types: songs (with standard notation and tablature), intabulations (arrangements of pre-existing vocal models), abstract pieces (ricercari, fantasias, etc.), and dances. Finally, pieces reprinted from previous sources are listed separately.
Vihuela Tablatures
Books IT/FR/GER songs/intabs/abstr/dances REPR. pieces
1530-1539 2 2/ 0/ 0 29 11 58 7 0
1540-1549 2 2/ 0/ 0 93 47 95 5 0
1550-1559 3 3/ 0/ 0 158 32 79 1 0
1560-1569 [1] 0/ 0/ 0 0 0 0 0 0
1570-1579 1 1/ 0/ 0 38 2 22 0 0
totals: 8 [+1] 8/ 0/ 0 318 92 254 13 0
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